← 全部歌曲 / Chinese Extreme Rhythm
人类劣根性展览馆
版本 A
歌词
[Verse] 人类劣根性展览馆 门票是自己 展品是影子 讲解员是镜子 [Chorus] 看吧 看吧 看别人也是看自己 我把门票 撕成两半 分给门口的影子 [Verse] 影子拿到了票 却不敢进门 它站在外面 替我害羞 [Chorus] 看吧 看吧 看别人也是看自己 我把门票 撕成两半 分给门口的影子 [Bridge] 影子也害羞 [Outro] 展览闭馆的时候 我和影子 一起走出来 影子没说话 我也没说
生成说明
Chinese indie folk backbone with extra rhythmic mass: stomp clap loop, frame drum, low-frequency bass pulse, brushed and sometimes heavy kick, foot percussion layered over acoustic strum. Plain narrative vocal with subtle edge. 90–115 BPM. The folk core is preserved, but rhythm section is louder and more aggressive than typical indie folk — heavy downbeat, clear groove, prominent percussion. style_intensity=9/10, rhythm_intensity=9/10. Arrangement for theme '嘲讽人类劣根性' in style '中国独立民谣'. Open with the rhythm section (drum fill or kick/snare pattern) before vocal entry. Bass and drums hold a steady heavy groove throughout verses; chorus adds a clear harmonic lift (octave doubling, vocal harmony or layered guitar). Bridge introduces a contrasting rhythmic motif (half-time or double-time). End with the opening drum pattern + sustained chord. Drum kit includes kick, snare, tom, ride/hi-hat, plus secondary percussion (clap, shaker, frame drum, tambourine). All sections must have audible kick + snare + tom. No drum-light or floating passages. Reference target for sonic resemblance: see style_prompt. Song length target: 3:00–4:00. Two variants per queue item: Variant A = faithful/restrained; Variant B = radical/maximal. Faithful restrained direct interpretation. Keep clear verse-chorus structure, conservative imagery, plain narrative Chinese vocal, prominent heavy drums from first bar to outro, acoustic indie-folk core with bass pulse, stomp-clap and frame drum.
版本 B
歌词
[Intro] 欢迎光临 劣根性展览馆 请把良心寄存在门口 镜子不收门票 影子负责点头 [Verse] 第一厅陈列傲慢 玻璃柜里摆着借口 每个人指着隔壁的人 说那件展品不是我 鼓点像保安的皮鞋 沿着走廊反复巡逻 我把姓名藏进说明牌 又装作偶然路过 [Chorus] 看吧 看吧 看别人也是看自己 灯光越亮 阴影越不肯离去 我把门票撕成两半 一半给谎言 一半给恐惧 看吧 看吧 镜子从来不讲道理 它只把我的脸 原样退回去 [Verse] 第二厅出售同情 按分钟计费 按眼泪找零 掌声被装进透明罐头 标签写着限量善意 有人举起正义的相机 只拍别人狼狈的证据 快门一响 鼓声更重 良知在低频里短暂失语 [Chorus] 看吧 看吧 看别人也是看自己 展柜里面 每张脸都如此熟悉 我把门票撕成两半 一半给欲望 一半给妒忌 看吧 看吧 镜子从来不讲道理 它把我的沉默 放大成证词 [Bridge] 讲解员摘下面具说 闭馆之前 请认领自己 没有人向前 只有影子排成一列 替我们签字 [Interlude] 咚 咚 门还没关 咚 咚 心还在装 脚步踩着同一个拍子 逃向同一面墙 [Verse] 最后一厅没有展柜 只有一张空椅子 我坐下才忽然明白 观众也是展品之一 门外的影子拿着半张票 终于鼓起勇气走进来 它站到我的身旁 我们一起承认失败 [Chorus] 看吧 看吧 看别人也是看自己 把所有漂亮借口都留在原地 我把门票重新拼好 背面写着欢迎再次光临 看吧 看吧 镜子仍然不讲道理 可这一次我没有躲开自己 [Outro] 闭馆的灯一盏盏熄灭 鼓点退回门后的黑暗 我和影子并肩走出展览馆 谁都没有清白 但谁都还能回头
生成说明
Chinese indie folk backbone with extra rhythmic mass: stomp clap loop, frame drum, low-frequency bass pulse, brushed and sometimes heavy kick, foot percussion layered over acoustic strum. Plain narrative vocal with subtle edge. 90–115 BPM. The folk core is preserved, but rhythm section is louder and more aggressive than typical indie folk — heavy downbeat, clear groove, prominent percussion. style_intensity=9/10, rhythm_intensity=9/10. Arrangement for theme '嘲讽人类劣根性' in style '中国独立民谣'. Open with the rhythm section (drum fill or kick/snare pattern) before vocal entry. Bass and drums hold a steady heavy groove throughout verses; chorus adds a clear harmonic lift (octave doubling, vocal harmony or layered guitar). Bridge introduces a contrasting rhythmic motif (half-time or double-time). End with the opening drum pattern + sustained chord. Drum kit includes kick, snare, tom, ride/hi-hat, plus secondary percussion (clap, shaker, frame drum, tambourine). All sections must have audible kick + snare + tom. No drum-light or floating passages. Reference target for sonic resemblance: see style_prompt. Song length target: 3:00–4:00. Two variants per queue item: Variant A = faithful/restrained; Variant B = radical/maximal. Radical maximal reinterpretation as a night museum satire. Strong narrative escalation through arrogance, commodified sympathy, public righteousness and self-recognition. Use spoken-like intro, expanded verses, repeated anthemic choruses, contrasting bridge,